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Tuesday, December 27, 2016

Insta Scoop: Buboy Villar Tattoos Name of Girlfriend in Encantadia Alphabet

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Insta Scoop: Heart Evangelista-Escudero's New Home Nears Completion

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Insta Scoop: Kim Chiu Reconnects with the Child Within


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Insta Scoop: 'The Super Parental Guardians' Reaches Half-Billion Mark

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Like or Dislike: Official Trailer of 'Extra Service'

Tweet Scoop: Audition is Open for The Voice Teens

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Like or Dislike: PNP Chief Bato dela Rosa on the Cover of Shot Magazine


Monday, December 26, 2016

Just Wait for My Moment


Whenever the contract of a network talent is about to lapse and the end date is nearing with no offer coming from the network in sight, expect stories of the talent allegedly sending feelers to a rival network. When confronted with issues of changing networks, such talent would usually deny the story, while keeping everyone in the dark until secret negotiations are finalized.

Transferring to another network or management could result from three factors. First, the rival network could have offered a package that would be hard to resist. Very few talents would admit that the choice is based on monetary conditions, as most would reason out that they would have the opportunity to grow. They do not want to create the impression that they are materialistic, which, has veracity, actually. To make offers lucrative, networks present guaranteed contracts, which assure the talent continuous payment regardless if the talent has a project or not.

Second, talents transfer because their present network is no longer interested in their services. This factor is manifested through not casting the talent in any show or relegating the talent to supporting roles. Subtlety, the talent could be included in shows that are not on primetime. There is a certain pride and bragging rights when someone has a program shown during the prime block as opposed to a show aired in the afternoon.

Finally, a talent makes the move because of dissatisfaction that has resulted in a feeling of being taken for granted. In the case of Underrated Talent (UT), she realized that despite being loyal to her network, she was slowly being eased out. There was a time when UT was one of two talents being groomed as the next big stars of their network. Unlike the Other Celebrity (OC), UT did not try her luck in another station. When OC returned, the network gambled on her and UT, and the investment worked.

As soon as the network realized the goldmine of UT and OC, the two were given projects, which slowly showed that UT was the better actress. However, she was suddenly given more mature roles that alienated her young fans. By contrast, OC was given projects that made sure her young fans could relate to. Then, UT suddenly disappeared and said that she wanted to give school a try. While she was out of the limelight, the network gave new female talents the opportunity to shine. Thus, when UT returned, the stage was too crowded.

Adding to her discomfort was the lack of support when it came to a major social event of the network. While other female talents were taken care of by big names in the fashion industry, UT did not even have a gown to wear. Thus, she opted to skip this major event, and her absence was noticed.

Feeling uneasy with the way she was being treated, UT confided to her Secret Boyfriend (SB), who advised her to make the big move if she was no longer happy. This advice would benefit both of them, as they could not reveal their relationship if they stayed in one network. Admission that they are together would affect the image of SB. In addition, UT would now have a new manager to handle negotiations for projects. Moreover, leaving her network means she would no longer have to wait for her turn after projects have been given to OC and the other hot female leads.

The wisdom of the decision of UT will only be seen in the next few months. For now, her decision surprised many, but she stood firm despite all the criticisms. Next year, UT should attempt to remind her network that she should not have been taken for granted.

‘There is a certain amount of dissatisfaction that goes with knowing your time, talent and abilities are not being properly used.’ - Zig Ziglar

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Repost: George Michael, Pop Superstar, Has Died at 53

Image courtesy of www.nytimes.com

Source: www.nytimes.com

George Michael, the creamy-voiced English songwriter who sold tens of millions of albums as a member of the duo Wham! and on his own, was found dead on Sunday at his home in Goring in Oxfordshire, England. He was 53.

A police statement said: “Thames Valley Police were called to a property in Goring-on-Thames shortly before 2 p.m. Christmas Day. Sadly, a 53-year-old man was confirmed deceased at the scene. At this stage the death is being treated as unexplained but not suspicious.”

Mr. Michael’s manager, Michael Lippman, told The Hollywood Reporter that Mr. Michael had died of heart failure “in bed, lying peacefully.”

“It is with great sadness that we can confirm our beloved son, brother and friend George passed away peacefully at home over the Christmas period,” his publicist Connie Filippello said in a statement. “The family would ask that their privacy be respected at this difficult and emotional time. There will be no further comment at this stage.”

Image courtesy of www.nytimes.com

Information on survivors was not immediately available.

Mr. Michael was one of pop’s reigning stars in the 1980s and ’90s — first as a handsome, smiling teen-pop idol making lighthearted singles like “Wake Me Up Before You Go-Go” with Wham!, then arriving as a grown-up pop sex symbol with his 1987 album “Faith.”

But Mr. Michael grew increasingly uncomfortable with the superficiality and relentless promotion of 1980s-style pop stardom. He turned away from video clips and live shows; he set out to make more mature statements in his songs, though he never completely abandoned singing about love and desire.

Mr. Michael wrote supple ballads, like “Careless Whisper” and “Father Figure,” as well as buoyant dance tracks like “Freedom ’90” and “I Want Your Sex.” For much of his career, including his best-selling albums “Faith” and “Listen Without Prejudice Vol. 1,” he was also his own producer and studio backup band. Much of his music drew on R&B, old and new, but his melodic gift extended across genres.

He won a Grammy Award in 1988 for “I Knew You Were Waiting (for Me),” a duet with Aretha Franklin, and “Faith” won the Grammy for album of the year. In Britain, he was showered with awards, and in 2004, Britain’s Radio Academy said he had been the most-played performer on British radio from 1984 to 2004.

Image courtesy of www.nytimes.com

In 1998, Mr. Michael came out as gay after being arrested on charges of lewd conduct in a men’s room in Beverly Hills, Calif. He had long lent his name and music to support AIDS prevention and gay rights. During interviews in later years, he described himself as bisexual, and said that hiding his sexuality had made him feel “fraudulent.” He also described long struggles with depression.

During the 2000s, Mr. Michael’s output slowed; his last studio album of new songs was “Patience” in 2004. In later years he put out individual songs as free downloads, encouraging listeners to contribute to charity. But in 2006, 25 years into his career, he could still headline stadiums worldwide.

George Michael was born Georgios Kyriacos Panayiotou in East Finchley, London, on June 25, 1963, the son of a Greek Cypriot restaurateur and an English dancer. In 1979, he and a schoolmate, Andrew Ridgeley, played together for the first time in a ska band called the Executive. That didn’t last, but they continued to make music together — nearly all of it composed and sung by Mr. Michael — and began releasing singles as Wham!, cultivating the image of carefree teenage rebels in songs like “Young Guns (Go for It!).”

Their 1983 debut album, “Fantastic,” reached No. 1 in Britain; in the United States, their 1984 single “Wake Me Up Before You Go-Go” became ubiquitous on MTV and reached No. 1. In 1985, the duo became the first major Western pop group to perform in China as part of its world tour, and Mr. Michael appeared at the Live Aid charity concert, telecast worldwide, joining Elton John to sing Mr. John’s song “Don’t Let the Sun Go Down on Me.”

Image courtesy of www.nytimes.com

The worldwide 1984 hit “Careless Whisper,” credited in Britain to George Michael solo and to Wham! featuring George Michael in the United States, signaled a turn away from perky teenage fare. Mr. Michael’s status as a top British pop star was confirmed by his appearance on Band Aid’s “Do They Know It’s Christmas?,” the 1984 all-star benefit single for Ethiopian famine relief.

In 1986, Wham! dissolved, with a farewell show at Wembley Stadium. Mr. Michael had a No. 1 hit with “I Knew You Were Waiting (for Me)” before releasing the album “Faith” in 1987. Its first single, “I Want Your Sex,” reached No. 2 in the United States, though it was seen as too risqué by some radio stations; Mr. Michael made an introduction to its video clip stating, “This song is not about casual sex.”

“Faith,” which hinted at both gospel and rockabilly, reached No. 1, and the album included three more No. 1 hits: “Father Figure,” “Monkey” and “One More Try.” It has sold more than 10 million copies in the United States.

But for his next album, “Listen Without Prejudice Vol. 1,” released in 1990, Mr. Michael set out to jettison his pop persona. “I’m not stupid enough to think I can deal with another 10 or 15 years of major exposure,” he told an interviewer at the time. “I think that’s the ultimate tragedy of fame, people who are simply out of control, who are lost. I’ve seen so many of them, and I don’t want to be another cliché.”

Image courtesy of www.nytimes.com

The autobiographical “Freedom ’90” declared his independence from the pop machine; he wasn’t in its video clip, which had supermodels lip-syncing the lyrics. The album also included a No. 1 single, the ballad “Praying for Time,” and has sold two million copies in the United States, but after the blockbuster of “Faith” it was considered a commercial letdown.

Mr. Michael entered a protracted legal battle with Sony Music over his contract, and was unable to release another album until 1996. Its title, “Older,” was an unmistakable signal that he was no longer directly courting the youth market; he was 32 years old. The album was an instant hit in England and Europe — it had six hit singles in England — though it was less popular in the United States.

After his 1998 arrest, Mr. Michael released a greatest-hits album with two new songs; one, “Outside,” set its video clip in a men’s restroom. He made a 1999 album of cover songs, “Songs of the Last Century.”

In the early 2000s, Mr. Michael released songs protesting the invasion of Iraq, including the 2002 “Shoot the Dog.” His last full studio album, “Patience,” was released in 2004, full of introspective ballads.

Mr. Michael returned to performing; he joined Paul McCartney onstage during the 2005 Live 8 benefit concert. In 2006, he performed a world tour, paired with another collection of hits, “Twenty Five,” which included new duets with Mr. McCartney and Mary J. Blige. He continued to release individual songs sporadically, and in 2014, he released “Symphonica,” a collection of standards and his own songs recorded with an orchestra on a 2010-11 tour. During that tour, he collapsed with nearly fatal pneumonia and was hospitalized for five weeks; he wrote a single, “White Light,” about the experience.

Mr. Michael had been planning an expanded reissue, due in 2017, of “Listen Without Prejudice Vol. 1,” paired with a documentary, “Freedom,” exploring his musical, personal and legal struggles.

“I never minded being thought of as a pop star,” Mr. Michael told GQ in 2004. “People have always thought I wanted to be seen as a serious musician, but I didn’t, I just wanted people to know that I was absolutely serious about pop music.”

Say No to Excess Fat


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