Images courtesy of Instagram: arnoldhan_
Thursday, December 1, 2022
Wednesday, November 30, 2022
Hiding a Secret
Talents entering showbiz are often trapped in the image set forth by their managers and the subsequent producers who promise to propel them into fame. For example, a talent who has mestizo looks can be packaged with a false background of coming from a high society family to match the stereotyping of looks and a wealthy background.
An important factor for female talents, especially the young ones, is to have an impeccable past. If a female talent’s pre-showbiz days comprised behavior that is not suited for a good role model, such past should be kept hidden. Similarly, if a talent has undergone enhancements, proof of the before look should be erased from social media. Thus, damage control is immediately implemented to save the talent.
The most common way to address intrigues is to keep silent even if the clamor for the truth is loud. Accordingly, Female Talent (FT) seems to be following the path of silence when it comes to her issues. FT’s career had been marked with comments, from social media to her projects. Despite her refreshing looks, FT has been targeted as villainess outside of showbiz. Nonetheless, FT tried to defend herself, but then bashers will be bashers. However, one of the alleged secrets FT is hiding and denying is the existence of a lovechild who was born prior to her starting a showbiz career.
FT and her family opted to keep quiet even if private citizens have claimed to have known of her status years ago. Kibitzers believe that FT has to keep a clean image for her fans to continue to idolize her. Perhaps, FT could learn from other actresses who were in a similar predicament. Years of denial proved they were feeding their fans with lies as they themselves would later on admit the rumors were indeed true.
‘The price of every lie is that the truth will always come out.’ – Jessica Khoury
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Repost: Erik Matti to Direct Prequel to Award-winning 'On the Job'
Image courtesy of www.variety.com
Source: www.variety.com
Erik Matti, one of the Philippines’ most celebrated filmmakers, is set to direct a prequel to “On The Job: The Missing 8,” his critically acclaimed political crime thriller franchise.
Reteaming Matti and screenwriter Michiko Yamamoto, the untitled pic will mark the third film in the “On The Job” trilogy which kicked off at Cannes’ Directors’ Fortnight in 2013, and traveled worldwide.
“On The Job” was inspired by a real-life scandal in which prison inmates were temporarily released from prison to work as contract killers on behalf of politicians and high-ranking military officials.
The prequel, which Matti and Ronald Monteverde are producing under their Manila based Reality MM Studios banner, is set against the turbulent backdrop of the island of Mindanao where Pedring Eusebio, the corrupt Mayor of a fictional city called La Paz, rises to power. Eusebio, who started out in the rebel paramilitary group New People’s Army, has become the most influential politician and feared man in La Paz.
Filipino actor Jericho Rosales has been cast as Pedring Eusebio, and Ryan Agoncillo as Rene Pacheco, a high-ranking military official who makes his way into politics. Further cast will be announced at a later stage.
Principal photography is set to begin in the third quarter of 2023 in Philippines, with Matti’s regular cinematographer Dino Piacino lensing. The film will boast a soundtrack, according to the production.
“I love 1970s Hollywood crime films, or French Jean-Pierre Melville-type cop corruption movies that are no longer being made, although these are films that audiences still enjoy,” said Matti.
“The prequel to ‘On The Job” and “On The Job: The missing 8″ provides another opportunity to bring a fresh, new Filipino crime story with international appeal to the world,” Matti continued.
The second film in the trilogy, “On The Job: The Missing 8” represents Philippines in the Oscar race. The movie played at Venice and won John Arcilla the Volpi Cup in the Horizons section.
A leading figure in the Manila film industry, Matti has directed nearly 20 features in the Philippines, spanning family dramas such as “Mano Po 2: My Home,” to the superhero comedy “Gagamboy,” supernatural action adventure film “Tiktik: The Aswang Chronicles,” and several commercially successful horror films such as “Seklusyon” and “Kuwaresama.”
The Eddys Winners
Image courtesy of Facebook: The EDDYS Awards
Best Supporting Actor: Mon Confiado for Arisaka
Best Supporting Actress: Lotlot de Leon for "On The Job: The Missing 8"
Best Sound Design: Corinne de San Jose for "On The Job: The Missing 8"
Best Musical Score: Erwin Romulo ("On The Job: The Missing 8"), Cesar Francis Concio ("Love is Color Blind"), Teresa Barrozo ("Big Night")
Best Original Theme Song: "Maghihintay" from "More Than Blue" (Words, music and performance by Marion Aunor)
Beautéderm Male and Female Faces of the Night: Sean de Guzman and Alexa Miro
Best Visual Effects: Mothership for "On The Job: The Missing 8"
Best Editing: Jay Halili "On The Job: The Missing 8"
Best Production Design: Whammy Alcazaren for "Kun Maupay Man It Panahon"
Best Cinematography: Neil Derrik Bion for "On The Job: The Missing 8"
Best Screenplay: Jun Robles Lana for "Big Night"
Best Director: Erik Matti for "On The Job: The Missing 8"
Best Actor: Christian Bables for "Big Night"
Best Actress: Charo Santos for "Kun Maupay Man It Panahon"
Best Picture: "On The Job: The Missing 8"
Special awards:
Joe Quirino Award: Mario Dumaual
Manny Pichel Award: Eric Ramos
Rising Producers' Circle: Rein Entertainment
Producer of the Year: Viva Films
EDDYS Icon: Tito Sotto, Vic Sotto, Joey de Leon, Phillip Salvador, Roi Vinzon, Helen Gamboa, Divina Valencia, Elizabeth Oropesa, Sharon Cuneta, and Alma Moreno
Isah V. Red Award: Gretchen Barretto, Kris Aquino, Alfred Vargas, GMA Kapuso Foundation, and ABS-CBN Sagip Kapamilya
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